L'inépuisable standing ovation à l'issue de la projection du film #Capharnaüm réalisé par Nadine Labaki, présenté en sélection officielle à Cannes 👏 🎬⭐📺 Vivez #Cannes2018 #FestivaldeCannes2018 sur @canalplus 👉 https://t.co/Mpovrrs0az pic.twitter.com/GiXHMcaAut — cinemacanalplus (@cinemacanalplus) May 17, 2018
L'inépuisable standing ovation à l'issue de la projection du film #Capharnaüm réalisé par Nadine Labaki, présenté en sélection officielle à Cannes 👏 🎬⭐📺 Vivez #Cannes2018 #FestivaldeCannes2018 sur @canalplus 👉 https://t.co/Mpovrrs0az pic.twitter.com/GiXHMcaAut
Nadine Labaki’s #Capharnaüm deserves every round of applause and every second of its 15 minutes standing ovation. Witnessing this reception, live, has been a gift: The seal to the monumental movie we just saw. The crowd’s energy wasn't this way since La vie d'Adele. #Cannes2018 — The Oscar Predictor (@OscarPredictor) May 17, 2018
Nadine Labaki’s #Capharnaüm deserves every round of applause and every second of its 15 minutes standing ovation. Witnessing this reception, live, has been a gift: The seal to the monumental movie we just saw. The crowd’s energy wasn't this way since La vie d'Adele. #Cannes2018
Capharnaüm - Jaw. Drop. This is phenomenal, the most powerful film I've seen at #cannes2018 this year. Nadine Labaki has made a knock out; a film about abuse of children, challenging us to rethink how we can build a better society for all. Wow. — Alex Billington (@firstshowing) May 17, 2018
Capharnaüm - Jaw. Drop. This is phenomenal, the most powerful film I've seen at #cannes2018 this year. Nadine Labaki has made a knock out; a film about abuse of children, challenging us to rethink how we can build a better society for all. Wow.
Nadine Labaki’s Capernaum just got a solid 15 minute standing ovation. No exaggeration. #Cannes2018 — Tatiana Siegel (@TatianaSiegel27) May 17, 2018
Nadine Labaki’s Capernaum just got a solid 15 minute standing ovation. No exaggeration. #Cannes2018
Nadine Labaki's sensational Capernaum turns a street kid's struggle into a kind of social-realist blockbuster. Middle hour is so crazily ambitious I'm not clear how she pulled it off: watch this win the Palme on Saturday, maybe the foreign language Oscar next. #Cannes2018 — Robbie Collin (@robbiereviews) May 17, 2018
Nadine Labaki's sensational Capernaum turns a street kid's struggle into a kind of social-realist blockbuster. Middle hour is so crazily ambitious I'm not clear how she pulled it off: watch this win the Palme on Saturday, maybe the foreign language Oscar next. #Cannes2018